Actor · Born 1987-06-22 (public profile · birth time unknown)
One river crossing a midsummer-noon sea of fire alone — a chart whose only prescription is the man himself
현침살 — 이민호의 임인일주 위에서는 압력과 긴장 관리의 표지로 읽습니다.
도화살 — 이민호의 임인일주 위에서는 가시성과 개성의 표지로 읽습니다.
태극귀인 — 이민호의 임인일주 위에서는 도움과 지지의 표지로 읽습니다.
천을귀인 — 이민호의 임인일주 위에서는 도움과 지지의 표지로 읽습니다.
천관귀인 — 이민호의 임인일주 위에서는 도움과 지지의 표지로 읽습니다.
A saju timeline computed from the public birth date (read as of 2026). Not a prediction of events — a year-level reference for which energies the chart meets over time.
Birth time is not public, so houses and the Ascendant are omitted; the chart focuses on planets and aspects.
Birth time is not public, so houses and the Ascendant are omitted; the chart focuses on planets and aspects.
One river crossing a midsummer-noon sea of fire alone — a chart whose only prescription is the man himself
Start with the pillars, elements and birth chart below. The prose is best read as a plain-language explanation of those repeated structures, not as a verdict.
The Im water of an Imin (壬寅) day pillar is a river moving through a chart dominated by Wood and Fire. The day master is the only visible Water, so cooling, pacing, and recovery matter as much as forward motion. The Cancer Sun, Mercury, and Mars echo that Water emphasis from astrology. With birth time unknown, the reading stays with these date-based positions and does not use houses or an Ascendant.
By day he is Cancer — water that holds and remembers — and not the Sun alone: Mercury and Mars gather there too, a legion of water answering a midsummer fire chart. Beneath it all, a Taurus Moon lays down slow, unshakable instinct like ballast in the hull.
Im is a great river, and In Wood draws that water into growth and expression. For Im Water, In is Byeong: not a health verdict, but a stage of heightened sensitivity that notices small shifts and requires calibration. In a hot chart, the actor’s strength lies in refining pace and expression rather than repeatedly claiming total rupture and rebirth.
His structure is 從兒格 — the pattern of a weak day master that stops insisting on itself and follows the current of its own expression wholesale (the engine confirms it: two expression stars, with the chart's energy leaning hard into fire and earth). Water grows wood and wood feeds fire — a one-way energy circuit that pours everything into expression and result rather than self-assertion. Becoming the face of Asia overnight in his early twenties on the strength of one role, Gu Jun-pyo, is exactly how this structure operates: it grows largest not when he stands on his own name, but when he hands himself entirely to the role.
A chart cast at high noon in 午月 obviously thirsts for water — and the climate remedy the engine names is 壬, the day master himself. The only water that can cool this sea of fire is Lee Min-ho. It cannot be borrowed from anyone else, and it must never be allowed to run dry — which makes rest and pacing not a luxury but the balancing mechanism of the entire chart. When the water dries up, only fire remains; when the water flows, the chart lives. That is this chart's whole instruction manual in a single line.
The year stem 丁 — direct wealth, the star of tangible reward — clasps hands with the day master in the 丁壬 union. But the engine rules the transformation void: 午月 is not a season where wood runs strong, so the union holds without turning into another element, and the day master keeps its identity. A lifelong partnership with popular success that never dissolves into it. The month stem 丙 — indirect wealth — meets 壬 in the 丙壬 clash instead: the midsummer sun and the river standing face to face. It is an angle you can read against a career that never dodged fame's hottest light, but took it head-on and kept flowing.
The star list is dazzling. Peach Blossom (桃花) is the charm that gathers eyes — a character that needs no footnote for an actor the world has remembered by his face since the day he debuted. Munchang (文昌貴人) is the scholar's star that gives expression its grain; Cheoneul (天乙貴人) is the highest of the auspicious stars, where help arrives at every crisis; and the General Star (將星) is the force that stands at the center of the crowd. There is a shadow, too — Mangsin (亡神). For someone whose profession is built on exposure, it signals that talk will follow structurally — best read as the warning lamp mounted right beside the glittering nobles.
Cross into astrology and there is a twist. The saju held three fires against one water — but the sky gathers Sun, Mercury, and Mars, all three, in Cancer, a water sign. The water the chart was thirsting for arrives as a legion. Cancer is water that holds, remembers, and protects — a deep, private emotional core running beneath a very public surface. And Mercury sits retrograde in Cancer: the habit of turning words over inside before letting them out, which flows naturally into acting that speaks through silence more than dialogue — Hansu in Pachinko, exactly.
The most precise aspect in this chart is Jupiter trine Uranus, at 0.1° of orb. Jupiter's expansion and Uranus's suddenness wired together without friction — the luck circuit where, for someone prepared, a door swings open overnight. It overlaps with the leap that put him at the center of a syndrome off a single series, Boys Over Flowers. Mars square Jupiter (3.9°) is the engine that always wants a stage bigger than the current one — Korea to Asia, Asia to global platforms, the exact grammar of his trajectory. And Mercury conjunct Mars (3.9°) is speech loaded with feeling — line delivery forged in Cancer's water.
The Moon stays in Taurus from midnight through late night on his birth date — fixed even without a birth time. Beneath Cancer's water runs Taurus earth: a slow, unshakable instinct laid down like ballast. Venus opposite Saturn (3.7°) hangs a counterweight on Gemini Venus's light charm — an angle that keeps choosing what lasts over what merely sparkles. His current luck decade is 壬寅 (2022–2031): the same ganji as his own day pillar, inscribed over him for ten years — landing precisely on the moment Pachinko changed the register of his acting. And in the next decade, 辛丑 (2032–), metal and earth — two elements this chart never contained a single character of — arrive for the first time.
A chart that crossed the season of fire on a single thread of water — now moving through the 壬寅 decade that carves his own day pillar twice over, before 辛丑 arrives bearing the metal and earth this chart has never held.
Compatibility scores with frequently mentioned partners — public birth dates, three pillars, just for fun.
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Yoon Seung-ah (庚申) · Son Heung-min (乙酉) · Lee Kang-in (癸丑) · Kim Min-jae (丙辰) · Hwang Hee-chan (壬戌) · Cho Gue-sung (壬申) · Hwang In-beom (庚申) · Kim Mu-yeol (乙巳)
Lee Min-ho's zodiac sign is Cancer by Sun sign, based on his public birth date of June 22, 1987.
The noon-based chart places the Moon in Taurus, and the Moon stays in Taurus across that date, so this page treats Taurus Moon as a stable public-date signal.
Using public birth-date data, Lee Min-ho's Saju day pillar is Imin (壬寅) — great water over the Tiger. The birth time is not public, so Auvylo does not use a Saju hour pillar.
No. It is a symbolic Saju and astrology reading based on public birth-date data only, not a claim about private thoughts or real-life intent.
No. It is a records-based reading from the publicly known birth date only, unrelated to the person's actual character or private life, and meant for entertainment. Saju never defines a person.
ⓘ Based on the publicly known birth date · birth time unknown (hour pillar, ascendant and houses omitted) · AI / classical readings are reference, not verdicts. This page is unaffiliated with the person and will be removed on request ([email protected]).