Takeshi Kitano — Saju × Astrology Reading
Filmmaker, Comedian & Actor · Born 1947-01-18 (public profile · birth time unknown)
Between dead silence and belly laughs — a hand that freezes emotion into the frame
Wikimedia Commons · 文部科学省 (Japanese Ministry of Education, Culture, Sports, Science and Technology / MEXT)
The Four Pillars (Saju)
Five-Element Balance
Notable Stars (神煞)
Branch punishment — 戌丑 punishment — branch pressure that asks for discipline, repetition and self-control
Luck Timeline (Saju)
Ten-year major cycles and annual cycles computed from the public birth date (as of 2026).
Only degree-checked contacts between slow transiting planets and natal personal planets are shown for 2026.
- “Remodeling the Self” — Transit Pluto crossing natal Sun — a long backdrop where identity meets the theme of deep reshaping (orb 7.1°)
- “Sudden Turns in Love” — Transit Uranus facing natal Venus — a long backdrop where bonds & values meets the theme of disruption (orb 5.9°)
The timeline shows calculated shifts and planetary contacts; it does not fix a specific event in advance.
Birth Chart — the same person, read in Western astrology
Birth time is not public, so houses and the Ascendant are omitted; the chart focuses on planets and aspects.
Birth time is not public, so houses and the Ascendant are omitted; the chart focuses on planets and aspects.
Saju × Astrology — the Combined Reading
Between dead silence and belly laughs — a hand that freezes emotion into the frame
Start with the pillars, elements and birth chart below. The prose is best read as a plain-language explanation of those repeated structures, not as a verdict.
Full interpretation
With Fire at two and not a single drop of Water, his chart can be read as a 丁 lamp-flame that burns only on its own fuel, with no external authority (Water) to rein it in. Paired with the Pyeonjae (Indirect Wealth) 'maverick-fortune' structure and its instinct for showmanship, that unbound quality can surface as the genre-hopping range from the rapid-fire Two Beat manzai act and the slapstick of Takeshi's Castle to the frozen violence of Hana-bi, which took the Golden Lion at Venice — and on into his painting and writing. Sun, Mercury and Mars clustered in Capricorn set a disciplined, exacting craftsman's spine, while a Sagittarius Moon and Venus add blunt humor and wanderlust, so the 'director of rigor' and the 'anarchist comedian' can be read as two faces held in tension inside one man.
Capricorn Sun-Mercury-Mars trio × Sagittarius Moon-Venus
Structure-by-structure reading
Two faces — the Capricorn craftsman and the Sagittarius jester
Sun, Mercury and Mars all sit in Capricorn, forming an axis of structure, precision and self-discipline, while the Moon and Venus in Sagittarius add freedom, bluntness and wanderlust. It can be read as why the austere frozen frames of Sonatine and Hana-bi coexist in one man with the explosive laughter of manzai and Takeshi's Castle.
The 丁酉 day pillar and the Pyeonjae (Indirect Wealth) structure — a lamp with no water
The day stem 丁 is yin Fire, likened to a candle or lamp flame; the chart holds Fire 2, Metal 2, Earth 2, with no Wood and no Water at all. The missing 官 (Water) that would normally discipline it can be read as an unbound, self-directed streak that, fused with the Pyeonjae (Indirect Wealth) flair for entertainment and box-office instinct, rules stage and screen on its own terms.
Canopy, literary and scholar stars vs the blade star
Hwagae-sal (華蓋殺) layered with Munchang-gwiin (文昌貴人), Hakdang-gwiin (學堂貴人) and Taegeuk-gwiin (太極貴人) can be read as a multi-art, literary gift that moves freely across film, painting and writing. At the same time, Biin-sal (飛刃殺) — a star likened to a blade — can be read as the shadow of a 'dangerous sharpness' spanning both his signature deadpan-violence aesthetic and the severe 1994 motorcycle accident.
Mercury conjunct Mars 0.5°, Venus sextile Neptune 0.0° — a knife-edge wit and a lyrical blue
Mercury and Mars locking together in Capricorn can be read as the razor language of rapid-fire manzai and deadpan barbs. The exact Venus-Neptune sextile, by contrast, can be read as the wellspring of the lyrical, dreamlike visual sense often called 'Kitano blue'.
Moon conjunct Venus 0.5°, Moon trine Pluto 1.3° — warmth and darkness together
Moon and Venus meeting in Sagittarius can be read as the unexpected tenderness and generous humor that runs through works like Kikujiro. The Moon flowing in trine to Pluto can be read as a chart that carries, beneath the laughter, an undertow of death, loss and intense feeling.
Day-branch Jangsaeng, month-branch Myo — a self-relighting lamp
In the Sibi-unseong (十二運星) cycle the day stem 丁 sits on Jangsaeng (長生, 'long life') in its day branch 酉, which can be read as a lamp that keeps re-lighting itself — a long creative lifespan. The month branch 丑, by contrast, falls on Myo (墓, the 'vault'), which can be read as a tendency to store feeling inward and then condense it into a frozen frame. With the year branch 戌 adding Yang (養, 'nurture'), the quiet arc of incubating, storing and re-blooming can be read as the rhythm behind decades of prolific output across film, comedy, painting and writing.
Rigor and anarchy, silence and roaring laughter — it can be read as a gift for condensing opposite poles into a single frame.
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FAQ
Even without the hour pillar, the six known characters carry the main structure — the day master, day pillar and elemental balance. Areas governed by the hour pillar (such as late-life currents) are simply not read, and this page follows that rule.
No. It is a records-based reading from the publicly known birth date only, unrelated to the person's actual character or private life, and meant for entertainment. Saju never defines a person.
ⓘ Based on the publicly known birth date · birth time unknown (hour pillar, ascendant and houses omitted) · AI / classical readings are reference, not verdicts. This page is unaffiliated with the person and will be removed on request ([email protected]).